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• Stock Characters In Literature
• Plautus Stock Characters

Plautus was a native of Sarsina, in Umbria, born in the earlier half of the third century B.C., and died at a very advanced age in 184. The characters of his. Featured content includes commentary on major characters, 25 important quotes, essay topics, and key themes like The Inversion of Social Class and The Inversion of Morality. Plot Summary. Pseudolus, by Roman playwright Titus Maccius Plautus, was written in 191 BCE.

The examples and perspective in this article may not represent a of the subject. You may, discuss the issue on the, or, as appropriate. ( December 2011) () () A stock character is a fictional in a work of art such as a novel, play, film, or a movie whom audiences recognize from frequent recurrences in a particular literary. Stock characters are characters distinguished by their. As a result, they tend to be easy targets for and to be criticized as. The presence of a particular array of stock characters is a key component of many. The point of the stock character is to move the story along by allowing the audience to already understand the character.

Stock Characters In Literature

This section possibly contains. Please by the claims made and adding. Statements consisting only of original research should be removed. ( January 2008) () Ancient Greece [ ] The study of the Character, as it is now known, was conceived by 's student. In The Characters (c. 319 BC), Theophrastus introduced the 'character sketch', which became the core of 'the Character as a genre'.

It included 30 character types. Each type is said to be an illustration of an individual who represents a group, characterized by his most prominent trait. See also: Other countries [ ] Stock characters also feature heavily in the comic traditions of in Japan and in Italy; in the latter they are known as tipi fissi (fixed [human] types). Academic analysis [ ] According to, a creative writing professor and prolific fiction author, all characters begin as stock characters and are fleshed out only as far as needed to advance the plot. According to E.

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Graham McKinley, 'there is general agreement on the importance to drama of 'stock' characters. This notion has been considerably explored in film theory, where feminists have argued, female stock characters are only stereotypes (child/woman, whore, bitch, wife, mother, secretary or girl Friday, career women, vamp, etc.).' Thus, the subject of female stock characters has attracted scholarly attention as seen in the work of Ulrike Roesler and Jayandra Soni whose work deals 'not only with female stock characters in the sense of typical roles in the dramas, but also with other female persons in the area of the theatrical stage.' Andrew Griffin, Helen Ostovich, and Holger Schott Syme explain further that 'Female stock characters also permit a close level of audience identification; this is true most of all in, where the ' type is used to dramatic advantage. This stock character provides pathos as yet another counterpoint to the plays' comic business and royal pomp.' Tara Brabazon discusses how the 'school ma'am on the colonial frontier has been a stock character of literature and film in Australia and the United States. She is an ideal foil for the ill mannered, uncivilised hero.

In American literature and film, the spinster from East – generally Boston – has some stock attributes. Polly Welts Kaufman shows that 'her genteel poverty, unbending morality, education, and independent ways make her character a useful foil for the two other female stock characters in Western literature: the prostitute with the heart of gold and the long-suffering farmer's wife.'

Plautus Stock Characters

' Copyright law [ ] In the, have determined that protection cannot be extended to the characteristics of stock characters in a story, whether it be a,,. See also [ ]. • Chris Baldick (2008).

The Oxford Dictionary of Literary Terms. Retrieved 22 January 2014. Video quality enhancer free online game. • Kamesha Jackson (2010). Encyclopedia of Identity. Retrieved 22 January 2014. • Swain, Dwight V. Creating Characters: How to Build Story People Writers Digest Books, 1990 • E.

Graham McKinley, Beverly Hills, 90210: television, gender, and identity (1997),. • Ulrike Roesler and Jayandra Soni, Aspects of the female in Indian culture: proceedings of the symposium in. • Andrew Griffin, Helen Ostovich, and Holger Schott Syme, Locating the Queen's Men, 1583-1603: Material Practices and Conditions of. • Tara Brabazon, Ladies who lunge: celebrating difficult women (2002),.